![]() ![]() Through images that have appeared online in recent weeks, people “learned” about Bella Hadid, a model of Palestinian descent, denouncing Hamas' attack in Israel a row of supposed bodies of dead Palestinians covered in white shrouds where one mysteriously moved and a Palestinian “actor” seriously wounded in a hospital bed one day and walking unharmed the next. Yet sometimes the repetition - the ongoing grind of war - is a story in itself. News organizations are constantly weighing their job to convey reality against the concern that violent images are too traumatizing for consumers to see. “The degree to which social media has been used is very sophisticated,” said Rhona Tarrant, senior editor at the investigative site Storyful. Meanwhile, Israel compiled and has been showing grisly images of that day to journalists. The effect of seeing such images is known by those who must watch them frequently as “vicarious trauma.”Ĭombatants know well the power of such images, which explains why some Hamas members wore cameras to document their Oct. ![]() Much is harrowing: images of mangled bodies, bloodied children carried out of rubble, people distraught at the loss of loved ones. That means combing through an endless supply of video posted on sources like X (formerly Twitter), YouTube, Instagram, Telegram and Facebook. “The reality is that audiences expect to participate in a shared viewing experience, to learn what is going on along with anchors and reporters,” said Wendy McMahon, president of CBS News and Stations. Now, with millions of people carrying phones that have video cameras, the aftermath isn't good enough. In an earlier era, viewers generally saw the aftermath of a news event unless television cameras happened to be on the scene. There was no unanimity - and some caution about drawing conclusions absent an ability to examine evidence on the ground. 17 explosion at Gaza's al-Ahli Arab Hospital. The buildup of this capability was seen most prominently when The New York Times, Washington Post, Wall Street Journal, CNN and The Associated Press did in-depth analyses of video evidence - including those streaks in the sky - to try and determine the disputed cause of a deadly Oct. Earlier this year, the similar “BBC Verify” unit was formed to bring more open source reporting methods to the worldwide news outlet. “It has become a key part of doing journalism in the modern age,” said Katie Polglase, a London-based investigative producer for CNN.ĬBS News last week announced the launch of “CBS News Confirmed,” the formation of a team to use data and technology to study online evidence. While journalists' access to the war in Gaza is limited, a flood of video from all sorts of sources documents what is - and isn't - going on.Īt news organizations, sifting through material found online to determine what is real, and to unearth the sometimes unexpected clues that can be used to tie stories together, are increasingly important - and often emotionally overwhelming - jobs. A satellite identifies tank tracks in the dirt, and a mall security camera catches the moment a bomb in Gaza detonates. Dash-cam video from a car in Israel spots a killer coming into view. NEW YORK (AP) - A camera livestreaming the skyline of Gaza City captures streaks of light. ![]()
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